In late June, the History of Art class had the wonderful opportunity to head to London to visit the National Portrait Gallery (NPG) and Piano Nobile Gallery.
Following a three-year major development and rehang, the NPG had only reopened the previous week and we felt very lucky to be among the first to visit. The collection was amazing, with significant new artworks introduced, and it was interesting to consider the curatorial decisions that had been made in arranging the displays across each room.
One of the most enjoyable aspects of the NPG was having the chance to see up close two of the artworks that we had studied in class. The first was the recently acquired ‘Portrait of Mai’ (c. 1776) by Sir Joshua Reynolds – we could not resist imitating his distinct adlocutio like pose for a group photo. Having discussed the image in such depth in lessons, it was amazing to see it in person and we were fascinated to notice many subtle aspects of the painting.
Secondly, we saw Marc Quinn’s ‘Self’ (2006). The artist is known for his shock art, and it was interesting to see the reactions of passing viewers as they realised that the piece was made from Quinn’s own blood!
The highlight of my day was visiting the Piano Nobile Gallery, a prestigious commercial gallery located in Holland Park. Along with other CLC History of Art students, I had recently undertaken work experience with the gallery, cataloguing artworks for an online exhibition, and it was lovely to meet with the gallery’s Executive Chairman, Dr Robert Travers, and other members of staff.
To mark the reopening of the NPG, Piano Nobile was also displaying an exhibition of modern portraiture, which focused on raising questions about the relationship between the sitter and the artist. We saw many amazing paintings by artists such as Ithell Colquhoun and Lucien Freud, and much to Dr Beard’s delight, artworks by Ben Nicholson.
We were shown around by the gallery’s Researcher, Luke, who carefully discussed each portrait with us, and answered our many questions. Through chatting with him and Piano Nobile’s Director, Matthew, we also developed a greater understanding of the art world and potential career paths. As a class, we thoroughly enjoyed the entire day and are extremely grateful for the wonderful experiences that the Art Department continue to offer us.
Bea, SFC1 (Year 12)
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